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Rock Guitar Lesson 6. Part 1Basics of Alternate Picking
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Up to this lesson we played guitar only by pick technique called downbeat or downstroke. When you need to play solo that contains passages in pace with the same durations of notes, the alternate picking technique is the right choice for the right hand. In alternate picking, after the pick strokes downwards and returns back upwards it also strokes the string (upstroke technique). So by one motion one's able to play two alternate notes.
Video example
In the right hand picking motion participate hand, arm and slightly forearm. Fingers do not take a part in the picking, they are unmoved and only holds a mediator.
Now try to stroke any string by alternate picking downwards → upwards → downwards → upwards and etc... First do it very slowly. Watch the accuracy, each note takes the same amount of time. Use drum track or metronome while exercising. Try to minimize and economize moves. The pick shouldn't go far from the string it strokes. Because later it'll ease to play fast. The angle you hold the pick should be approximately perpendicularly to the guitar body, but it's not an exact rule. The volume is equal for upbeat and downbeat touches.
Tip: When you need to get heavier guitar sounding, turn the pick about 40 degree relative to the string
regular position turned position
Note
Simple tabs made in text editors do not have alternate picking notations. When you'll achieve accurate, rhythmical equal alternation over single note, Move to the exercises below Note: I recommend you always begin deliberately practicing in slow tempo and when you gained control and accuracy step by step increase a pace. It's correct for both of hands. Why should I exercise slow? First playing in low tempo warms up copulas and muscles in fingers and hands that helping to prevent possible injuries on higher speeds. If you feel pain or something wrong with your hand, immediately stop playing, take a break for 5-10 minutes. Another reason to exercise in slow tempo is to acquire really fast, qualitative playing in the long run. If you can play any lick slowly and without mistakes it won't be a problem gradually achieve higher speeds without quality loss. On the other hand if you can't play something slowly and accurate, your fast playing won't be impressive with all the stumbling especially in destructive environment such as live performance. If you want to play fast but don't want to take all these difficulties stick with hammer on/ pull off and tapping techniques. It's better to begin exercising over the alternate picking with a clean tone because distortion effect hides some performance defects and compress' volume. So when you'll be doing exercises right with a clean tone, with a distorted sound it'll be just superior.
Alternate picking exercises
exercise 1
video example for exercise 1 exercise 2
video example for exercise 2
exercise 3
Passage that lays between
video example for exercise 3
exercise 4 This exercise is similar to previous one, but pay attention that here I do not use
triplet rhythm, just play 2 notes per 1 beat.
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video example for exercise 4 Finally fire up the distortion pedal and here we go to the guitar solo. This complete solo is played with triplet figures (3 notes per beat or 12 notes per bar) only one last note has regular rhythm.
Solo Tab Em
Online Backing Track for the Solo
in Second Part of this lesson I'll give you some exercises and tips to get syncronization between both of hands. Alternate Picking Lesson Part 2.
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